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In the Samizdat Tradition of Writing against the Machine |
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Critical Poetry—Dan
Sklar
(Beverly, MA)
For
more highly critical verse, see
Critical Poems.
Whitman said forget the words of my poems, it is the drift that matters. To me good poems are truthful and honest and rebellious. Saroyan said a writer is a rebel who never stops. I don’t know why I’m quoting these authors, but they come to mind. We [Endicott Review] are also open to all subject matter. In my freshman classes, I use Bukowski, so I’m sort of a rebel, which reminds me of another thing Whitman said, “Be radical, be radical, but not too damn radical.” In my creative writing classes, I use poems to inspire students to question everything—but really question things, including me! We look for poems and stories and essays and art work that have a kind of freedom—that hides nothing—like you say about naming names. I’m 53, by the way, and I understand why you asked. I’m always curious about a person’s age—it tells something about them. More on Poetry Contests Poetry contests have nothing to do with poetry. Poetry contests are about money. I wonder if Charles Bukowski ever won any poetry contests. Poetry contests are about selling poetry magazines to all of the losers and the mothers of the winners. I would like to see a poetry contest that does not want you to send in poems but instead some truthful writing or just the money.
This Is a Poem The
advertisement
for
the Indian casino says:
“In
the Mohegan
language there are no
words for
boredom.” I add
to that: “…but
there are plenty
of words for
sucker.”
Too Much Poetry
I don’t believe much in
Too many poets.
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